the chart and the poignant
Storm Jameson (as cited in one of my PhD student’s drafts):
The conditions for the growth of a socialist literature scarcely exist. We have to create them. We need documents, not as the Naturalists needed them, to make their drab tuppenny-ha’penny dramas but as charts, as timber for the fire some writer will light tomorrow morning…Perhaps the nearest equivalent to what is wanted exists already in the documentary film. As the photographer does, so must the writer keep himself out of the picture while working ceaselessly to present the fact from the striking (poignant, ironic, penetrating, significant) angle.
Interesting how naturalism is rejected as melodrama in favor of “charts,” but the melodrama (or something like it) seems to return in the “impersonal,” “photographic” writing via that list of affectual slants. The relation between the chart and the poignant does seem to me to be the appropriate place to find the fault line, though….