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Archive for October 12th, 2007

megalinks

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If you have access, through school or subscription, to the New Left Review, go take a look at this from John Berger in 1974. It’s a selection from The Seventh Man – an extraordinary book…

Or there’s Owen’s brilliant piece on Moscow from Archinet (William Gibson likes it – I think you will too…)

Joshua Clover gives us an excellent read on war in recent movies in his new Film Quarterly column. Here’s the final bit, compact and perfect, on Children of Men.

What is there to see, then? Formalism, one supposes— remembering that form itself is no more able to stand apart from history than the eye can stand apart from what it re- gards. Children of Men (Alfonso Cuaron, 2006) has an annoying plot, with dud intriguing and an empty messianism. But its look, its way of looking, repay such annoyances and then some: the gray and permanent state of emergency; the acts of terror demoted to the background, quotidian and near- banal; the sensation of quarantine that extends, unnamed, in all directions.

The war of all against all has perhaps never been better filmed than in the prolonged escape through the warrens and streets of Bexhill camp, redolent of Guantanamo and Long Kesh, of Abu Ghraib reenactments. There’s no order because there’s no cause, just as there’s no cause offered for the biological crisis; it’s all simply become a way-things-are, some endgame of imperial decline. The camera, red smear on lens, shifting subtly between over-the-shoulder and POV, doesn’t know where to look. Everyone’s shooting at everyone. It moved me, to paraphrase the poet Robert Creeley about Bresson, that life was after all like that. You are in war. You race through the town, with blood on your eye, burdened. The story is true.

Chabert’s had some good ones lately. “Consider the use of cartoons, photographs, and anonymous letters which will have the effect of ridiculing the New Left. Ridicule is one of the most potent weapons which we can use against it”: 

On the other hand, Matthew Yglesias has been seemingly bent on becoming a one-guy example of the young Thatcherite pundit class growing up all around us on-line:

With the proviso that I don’t know much about UK economic history, it’s clearly the case that despite the personal and ideological linkages between Thatcher and Reagan they were operating from very different baselines. It can easily both be the case that the UK in the late 1970s was too far left on the main issues being debated at that time and that the United States in the late 2000s is too far right on the main issues being debated at the moment. After all, even after Thatcher Britain has a health care system that’s so statist virtually nobody on the American left will defend it.

Hmmm… Let’s try another post.

Related to the inequality post below, one thing that bugs me about the way liberals often approach these issues is a tendency to get bogged down into picayune controversies about exactly why inequality has exploded. Was it the skill-biased technological change? Were CEOs underpaid in the past? Can we blame globalization? In truth, while these are all interesting questions, in terms of politics and policy they take a back seat to debates over remedies which often lack a tight relationship to the debates over causes.

Oftentimes, though, liberals act as if the thing that needs to be done is to prove somehow that inequality has exploded because people are in some sense “cheating” — so you get these long stories about corporate governance and corrupt compensation committees, etc

Or… this tendency on the part of liberals might just have something to do with the fact that ninety percent of American cars feature a bumper-sticker on the rear bumper of their SUV that reads “You can pry my neoclassical economic assumptions out of my cold dead fingers. Unemployment, poverty, and sinking wages are not and have never been a structural effect of a gamed economic system. Rather, in the land of free and the home of the brave, the only thing that changes is the laziness of the poor (generally increasing, despite the cattle prods) and the superiority of the meritocrats (earned, not made…)”

Too bad Yglesias didn’t go MD instead of Doctor of Centrist Chatter. All that aspirin for mysterious swellings, blood in the stools, could have saved a lot of people a lot of money. Why waste time with diagnosis when there are over-the-counter remedies to dispense?

You want more? How about this truly provocative piece from Lauren Berlant – so provocative, in fact, that CI has made it free to all comers. I’m going to have more to say about this, I hope, soon enough.

Finally, how about this story from Tim Burke.

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October 12, 2007 at 11:29 pm

Posted in housekeeping

sante / fénéon

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From a shortened version of Luc Sante’s introduction to the new NYRB edition of Félix Féneon’s Nouvelles en Trois Lignes, running in the current NYRB…

Fénéon’s three-line news items, considered as a single work,
represent a crucial if hitherto overlooked milestone in the history of
modernism. Even as the entries are obsessively handcrafted, the work is
in a sense the first readymade. It heralds the age of mass media, via a
sensibility formed by the cadences and symmetries of classical prose;
forecasts a century of statistics, while foregrounding individual
quotidian detail; invites speed of consumption, while manifesting
time-consuming labor of execution. It recognizes its own transience but
does not concede to it. It savors the ironies of chance without
fabricating a moral agency to explain them, but never shies from
properly attributing the consequences of power, greed, and stupidity.
Like the work of certain photographers it is dispassionate sometimes to
the point of cruelty, but by the same token, respecting its readers, it
does not package a facile response for them. It is a dry bundle of
small slivers of occurrence that lie beneath history, but it represents
the whole world, with all of its contradictions.

The relationship between the form of these three-liners and the political-historical context that Sante evokes is worth thinking more about.

(Also worth looking at in the current NYRB: John Gross’s piece on William Empson’s letters – unfortunately not free like the one above. Somehow, the story of his rather long, well, dalliance isn’t the right word for it – advocacy of Mao and his China are a story that we missed when I studied him as a student…)

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October 12, 2007 at 9:44 pm

Posted in form, modernism